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Architects Newspaper on The Homeless Sukkah

“Of the three entries we’ve actually seen, Rael San Fratello’s is probably the most interesting. Yet it is Sukkah of Signs that is most audacious in its scope and, we imagine, shape, as it tackles. Rael and San Fratello have gone about collecting signs from homeless people in the Bay Area and, with the help of volunteers, from across the country, in what they’re calling “The Homeless House Project.” Somehow, they’re going to repurpose these into a sukkah, a challenge we can’t wait to see in action. Best of all, as Foer points out, “It’s really great because they’re basically transferring their award money to the homeless population,” as each sign is gotten in exchange for a donation.”

Read more at the Architects Newspaper Blog.

Sukkah City NYC 2010

Rael San Fratello Architects has been selected from over 600 entrants to participate in the Sukkah City competition. Our concept, The Homeless House, will use signs collected from the homeless to clad the entire structure. Just as the sukkah commemorates shelter provided during the forty desert-wandering years of Exodus, the design for our sukkah brings attention to the contemporary state of homelessness and wandering and will serve as a vehicle to raise awareness of homelessness in the United States.

Because of the great effort needed to obtain enough signs, we are asking for your help. If you are interested in exploring your city, meeting people in need and offering a donation for their sign, please let us know.

Among the jurors for Sukkah City were Thom Mayne, Ron Arad, Geoff Manaugh, Adam Yarinsky, Ada Tolla and several other notable scholars, designers, architects, thinkers and writers. Sukkah City is organized by Reboot and the Union Square Partnership.

For more information about this project: [ www.thehomelesshouse.com | Sukkah City Winners ]

PRAXIS 11+12

PRAXIS 11+12 cover

PRAXIS 11+12: 11 Architects/12 Conversations

The cover of PRAXIS issue 11+12 maps a conceptual path through the conversations held within the journal deriving an actual tool path of the most common words found within the journal. The primary words were organized in a word cloud using wordle and the tool path was derived by rhinocam. The cover stock paper was embossed to articulate the scalloping that would be created by an actual mill operation, giving the cover depth and dimension.

Toolpaths created of word cloud

Embossing detail

Jumplines interconnecting the various toolpath operations

Project Date: 2010
Project Team: Ronald Rael, Maricela Chan, Emily Licht, Maya Taketani. Editors: Amanda Reeser, Ashley Schafer
Project Info: PRAXIS 11+12 was released at the symposium 11 Architects / 12 Conversations, where a moderated discussion invited audience participation in an open dialogue that explores shared and contested territory among this emerging generation of practices on June 25 at P.S.1 Contemporary Art Center in Queens.Special thanks to Matthew Bitterman, Benjamin Golder and Justin Syren.

800X60: Adaptive Architecture and Security Infrastructure at, along and across the U.S.-Mexico Border

Teddy Cruz (left) and Ronald Rael (right) with moderator Michael Moore (center)

Parallel to the border, 800 miles of border wall has been constructed, and many more miles are planed—bisecting private and public lands, cities, farms, wildlife preserves and a university. The construction and maintenance costs of this security infrastructure are estimated to exceed $49 billion over the next twenty five years. A 60 linear-mile cross section, tangential to the border wall, between the two border cities of San Diego and Tijuana comprises the most dramatic issues currently challenging our normative notions of architecture and urbanism. We can find along this section’s trajectory a series of collisions, critical junctures, or conflicts between natural and artificial ecologies, top down development and bottom-up organization. Architects Teddy Cruz and Ronald Rael presented and discussed research that engages the metropolitan and territorial sites of conflict that encompass the border at the first Biennial of the Americas, July 6, 2010.

Consume at Exit Art

Hyperculture will be on display as part of the Consume exhibit at Exit Art in New York City. Consume, a project of SEA (Social Environmental Aesthetics), investigates the world’s systems of food production, distribution, consumption and waste. Consume will be exhibited concurrently with ECOAESTHETIC: The Tragedy of Beauty.

With fuel prices fluctuating and climate change causing monumental shifts in weather patterns, we have been forced to rethink our methods of food production and distribution. Natural disasters have wiped out entire crop cycles (the rice supply in Burma and the wheat harvest in Australia) and experts are saying that a global food shortage is imminent. The prices for wheat, corn, rice and other grains have steadily increased since 2005, causing food riots and hoarding from Morocco to Yemen to Hong Kong. The New York Times recently reported an estimate that Americans waste 27% of the food available for consumption. What are some possible solutions to these mammoth problems?

As more people change their habits, and as the government ratifies new regulations, we can make significant progress in the fight for food. The American public has shown awareness that the industrial-food system is deeply flawed. Expanded recycling and composting programs – as well as the growing local, organic and free-range movements – are indicative of a profound shift in the way we think about food. Consume will also include a series of public talks, screenings and workshops that confront and take up diverse food-related issues. Consume is curated by Papo Colo, Jeanette Ingberman, Lauren Rosati and Herb Tam.